Блус Джони Китара 💙 The Shadows ♛ Johnny Guitar ♛ ╰⊱♡⊱╮

The Shadows ♛ Blue Star ♛ ╰⊱♡⊱╮ The Shadows formed as a backing band for Cliff Richard under the name The Drifters, the original members were founder Ken Pavey (born 1932), Terry Smart on drums (1942), Norman Mitham on guitar (1941), Ian Samwell on guitar and Harry Webb (before he became Cliff Richard) on guitar and vocals. They had no bass player.
Samwell wrote their debut single, "Move It", often mistakenly attributed to "Cliff Richard and the Shadows" and not the Drifters . Initially their producer and manager Norrie Paramor wanted to record using only studio musicians but after persuasion he allowed Smart and Samwell to play as well. Two session players, guitarist Ernie Shear and bassist Frank Clark, played on the "Move It/Schoolboy Crush" single on Paramor's insistence to ensure a strong sound.[4] In his memoirs, Welch regrets that he and Marvin could not be at the start of making history with "Move It".[5]
The Drifters signed for Jack Good's Oh Boy! television series. Paramor of EMI signed Richard, and asked Johnny Foster to recruit a better guitarist. Foster went to Soho's 2i's coffee bar, known for musical talent performing there, particularly in skiffle, in search of guitarist Tony Sheridan. Sheridan was not there but Foster's attention was caught by Hank Marvin, who played guitar well and wore Buddy Holly-style glasses.[6][7]
Bruce Welch, rhythm guitarist of the Shadows
In spring the same year, the owner of the United States vocal group The Drifters threatened legal action over naming rights after the release and immediate withdrawal of "Feelin Fine" in the US. The second single, Jet Black, was released in the States under the name of The Four Jets to avoid further legal aggravation, but a new band name was urgently needed. The name "The Shadows" was thought up by guitarist Jet Harris (unaware of Bobby Vee's backing group) while he and Marvin were at the Six Bells pub in Ruislip in July 1959. From The Story of the Shadows:
With a combination of the American situation, Cliff Richard's first number 1 hit, the runaway success "Living Doll" had by now sold over a million copies in Britain alone and after a bit of nudging from Norrie Paramor, they set about finding a permanent name, which arrived out of the blue one summer's day in July 1959 (maybe the 19th). When Hank Marvin and Jet Harris took off on their scooters up to the Six Bells pub at Ruislip, Jet hit upon a name straight away. 'What about the Shadows?' The lad was a genius! So we became the Shadows for the first time on Cliff's sixth single "Travellin' Light".[8]
1960s
Cliff Richard and the Shadows in 1962
The Shadows where also becoming popular band in their own right and in 1960, "Apache", an instrumental by Jerry Lordan, topped the UK charts for five weeks. Further hits followed, including the number ones "Kon Tiki" and "Wonderful Land", another Lordan composition with orchestral backing. The Shadows played on further hits as Richard's band.
In October 1961, drummer Tony Meehan left to be a music producer at Decca records. He was replaced by Brian Bennett. In April 1962, Jet Harris was replaced by Brian "Licorice" Locking. Bennett and Locking were friends from the 2I's who had been in Marty Wilde's backing group, the Wildcats, who recorded instrumentals as the Krew Kats. This Shadows line-up released seven hit singles, two of which, "Dance On!" and "Foot Tapper", topped the charts. In October 1963, Locking left to spend more time as a Jehovah's Witness.
Meanwhile, Harris and Meehan teamed up at Decca as an eponymous duo to record another Lordan instrumental, "Diamonds". It rose to UK no. 1 in January 1963. Two further hits, "Scarlett O'Hara" (also by Lordan) and "Applejack", followed in the same year. On the Lordan tunes, Harris played lead using a six-stringed Fender Bass VI. During 1963, ironically the ex-Shadows were competing in the charts with their former bandmates.
The Shadows had met John Rostill on tour with other bands and had been impressed by his playing, so they invited him to join. This final and longest-lasting line-up was the most innovative as they tried different guitars and developed a wider range of styles and higher musicianship. They produced albums but the chart positions of singles began to ease. The line-up had ten hits, the first and most successful of which was "The Rise and Fall of Flingel Bunt".
Films with Cliff Richard
During the 1960s, the group appeared with Cliff Richard in the films The Young Ones, Summer Holiday, Wonderful Life, and Finders Keepers. They also appeared as marionettes in the Gerry Anderson film Thunderbirds Are GO, and starred in a short B-film called Rhythm 'n Greens which became the basis of a music book and an EP.
Stage Pantomimes

They appeared in pantomime: Aladdin and his Wonderful Lamp in 1964 at the London Palladium with Arthur Askey as Widow Twankey, Richard as Aladdin, and the Shadows as Wishee, Washee, Noshee and Poshee; Cinderella at the Palladium in 1966 featured Richard as Buttons and the Shadows as the Broker's Men. Their film and stage roles allowed the group to develop as songwriters. They wrote only a few songs for the earliest film, 1961's The Young Ones, but by Finders Keepers in 1966 almost the entire soundtrack was credited to Marvin-Welch-Bennett-Rostill. In 1967, the Shadows used Olivia Newton-John on the track "The Day I Met Marie" on their album From Hank Bruce Brian and John.
In October 1968, Marvin and Welch decided to disband the group following a concert at the London Palladium. In the event, only Welch left, but the Shadows had disbanded by the end of the year.[9]
1970s
The group began 1970 by appearing on the BBC's review of the '60s music scene, Pop Go The Sixties, performing "Apache" and backing Richard on "Bachelor Boy", broadcast across Europe and BBC1, on 31 December 1969. This was followed by Marvin and a reconstituted Shadows becoming resident guests on Richard's debut TV series for the BBC, It's Cliff Richard!

The group were chosen by BBC Head of Light Entertainment Bill Cotton to perform the Song for Europe in the 1975 Eurovision Song Contest. The Shadows recorded six songs, seen each week on a weekly television show It's Lulu, on BBC1 and hosted by Lulu, a former Eurovision winner. The group taped all six performances in the TV studio before the series itself began, with the video cut into the weekly show. For the presentation of the songs on week seven and the announcement of the result on week eight, the pre-recorded performances were run again.
Two of the songs ("No, No Nina" and "This House Runs on Sunshine") were co-written by members of the group. The public voted for "Let Me Be the One", composed by Paul Curtis, to go to the Eurovision final in Stockholm, Sweden in 1975. There, the group came second to the Dutch entry, Teach-In's "Ding-A-Dong". Having long stepped out of Richard's shadow, this was a rare excursion into vocals for a band known for instrumentals (although they had cut vocal tracks on most albums, plus some singles 'B' sides, and had four charting vocal singles in the '60s). Welch sang lead and let the world know when, forgetting a couple of words, he turned to colleagues and said "I knew it" in range of his microphone. Author and historian John Kennedy O'Connor notes in The Eurovision Song Contest – The Official History that they were not a popular choice to represent the UK and the viewers' postal vote was the lowest in 'Song For Europe' history.[10]
EMI however released a compilation album in 1976, spanning 1962 to 1970: Rarities with sleeve notes by John Friesen. The first half of the album was from Marvin's solo career and the second was by the Shadows . Following the rare vocal single "It'll Be Me, Babe", written and sung by Marvin & Farrar, John Farrar amicably left the band that year, moving to the US to become the music producer for Olivia Newton-John. Among her hits, Farrar wrote "You're the One That I Want" from the film Grease which was covered by the Shadows in 1979.
The packaging of hits in Twenty Golden Greats by EMI in 1977, which led to a number one album prompted the group to re-form once more for a 'Twenty Golden Dates' tour around the UK, featuring Francis Monkman (soon to be in Sky) on keyboards and Alan Jones on bass guitar. Francis left after that tour and the line-up settled as Marvin, Welch and Bennett, supplemented on records and gigs by Cliff Hall (keyboards) and Alan Jones (bass). It was this line-up that reunited with Cliff Richard for two concerts at the London Palladium in March 1978. Highlights of the concert, including four solo Shadows tracks, were released the following year on the top ten charting album Thank You Very Much. On the back of this The Shadows recorded an instrumental version of "Don't cry for me Argentina" from the west end production "Evita", released as a single at the tail end of 1978. The record eventually reached number 5 in the singles chart thereby giving the group their first top ten single since the 1960s.
In 1979, their version of "Cavatina" also became a top ten hit, and they recorded ten more tracks with bassist Jones and keyboardists Dave Lawson and Alan Hawkshaw for the album String of Hits on EMI which topped the British album charts.[11] The success of this led to EMI issuing a follow-up album with 13 old tracks (including a Marvin solo track) and one unreleased track from the 'String of Hits' sessions. These tracks came from albums released earlier in the group's career of cover versions of hit singles; this was eventually released as Another String of Hot Hits in 1980.
1980s
After 20 successful years together the Shadows parted ways with their record company EMI and the group signed a 10-year contract to Polydor Records. The first album released under the Polydor banner was the aptly titled "Change of Address" in September 1980. With the influential arrival of keyboardist Cliff Hall, the musical style shifted from the traditiona

Дата на публикация: 26 февруари, 2021
Субтитри от: smiles
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